JANE JOSEPH
| 1942 | Born, Surrey |
| 1961 – 65 | Camberwell School of Arts & Crafts |
| 1965 – 66 | Leverhulme Travelling Award |
| 1989 | Invited artist, Pécs Workshop of Graphic Art, Hungary |
| 1991 | Abbey Award in Painting, British School at Rome |
| 1995 | Abbey Award in Painting, British School at Rome |
| Solo Shows | |
| 1973 | Morley Gallery, London |
| 1982 | The Minories, Colchester |
| 1987 | Angela Flowers Gallery, London |
| 1989 | Flowers East, London |
| 1992 | Flowers East, London |
| 1994 | Edinburgh Printmakers |
| 1995 | Chelsea & Westminster Hospital, London |
| 1997 | Drawn in Place Morley Gallery, London |
| 1999 | Urban Nature Scarborough Art Gallery |
| 2000 | Twenty Etchings for Primo Levi Morley Gallery, London |
| Jewish Institute of Religion, New York | |
| Italian Cultural institute, London | |
| Black/White The Stanley Picker Gallery, Kingston University | |
| 2001 | Inside/Out Worcester City Art Gallery |
| 2002 | Etchings 1985-2001 Victoria Art Gallery, Bath |
| 2004 | Commonplaces School of Art Gallery, Aberystwyth |
| 2012 | Etchings for Primo Levi Mostyn Gallery, Llandudno |
| 2013 | Imprints New Hall Murray Edwards College, Cambridge |
| Common Grounds Eagle Gallery, London | |
| 2014 | Etchings for Primo Levi London Jewish Cultural Centre |
| Sea, Land and Journeying Hammersmith Hospital, London | |
| 2015 | A View of London Charing Cross Hospital, London |
| 2016 | Seeing the Space Southampton City Art Gallery |
| 2018 | Accompaniments School of Art Gallery, Aberystwyth |
| 2023 | A Life Drawn Morley Gallery, London |
| Selected Group Exhibitions | |
| 1975 | Chichester National Art Exhibition |
| 1975 & ’77 | Cleveland International Drawing Biennale |
| 1978-2008 | Royal Academy Summer Exhibition (most years) |
| 1984 | Three Painters, Angela Flowers Gallery, London |
| 1986 | International Print Biennale, Bradford |
| 1989-’90 | Angela Flowers Gallery 1990, Concourse Gallery, Barbican, London |
| 1990 | 100 Years – Artists at Morley, Morley Gallery, London |
| 1997 | Marking Presence, Artsway, Lymington, Hants |
| 1996, ’97, ’98, 2000 | Cheltenham Open Drawing Exhibition (Award-winner 1998) |
| 1997 & 2003 | The Hunting Prize, London |
| 1999 | Contemporary British Landscape, Flowers East, London |
| 2002 | PRINTWORKS, The Eagle Gallery, London |
| 2003 | The Art of Ageing, Hebrew Union College, New York |
| 2004 | Visions of London, Art Space Gallery, London |
| 2005 | International Biennale of Graphic Arts, Ljubljana |
| 2006 | Drawing Breath, Wimbledon College of Art and touring |
| 2007 | Flora, The Eagle Gallery, London |
| Prints/Publications, The Eagle Gallery, London | |
| 2009 | On the Fractured Stage of the Book, Eagle Gallery, London |
| Artists at Morley, London, 1969-2009 | |
| 2013 | Global Print, Douro, Portugal |
| 2014 | 7th International Printmaking Biennal, Douro, Portugal |
| 2014 | Garden , Campden Gallery, Chipping Campden |
| 2015 | Editions, Eagle Gallery, London |
| 2017 | APT Shots: Passionate Process, A.P.T. Gallery, London |
| 2023 | Bearing Witness, Fitzwilliam Museum, Cambridge |
| Commissions | |
| 1994 | Chelsea & Westminster Hospital, London |
| 1999 | Folio Society, etchings to accompany “If This is a Man” by Primo Levi |
| 2001 | Folio Society, etchings to accompany “The Truce” by Primo Levi |
Public Collections
| Ashmolean, Oxford |
| Ben Uri Gallery, London |
| Birmingham City Museum and Art Gallery |
| Brecknock Museum, Brecon |
| Castle Museum, Norwich |
| Chelsea and Westminster Hospital, London |
| Fitzwilliam Museum, Cambridge |
| Government Art Collection |
| Hebrew Union College, New York |
| Herbarium Library, Royal Botanic Garden, Kew |
| Imperial College, London |
| Lindley Library, London |
| Morley College, London |
| New Hall Art Collection, Cambridge |
| Paintings in Hospitals |
| School of Art Gallery, Aberystwyth |
| The British Library |
| The British Museum |
| The City Art Gallery, Worcester |
| The National Art Library, Victoria and Albert Museum, London |
| The Whitworth Art Gallery, Manchester |
| Unilever House, London |
| University of Northumbria, Newcastle |
| Yale Centre for British Art, Newhaven, Connecticut |
| TATE (Emma Hill/Eagle Gallery Archive) |
Selected bibliography
| Financial Times 25 May 1973, Marina Vaisey: “Maggi Hambling/Jane Joseph” |
| Architectural Review, August 1981, Deanna Petherbridge: “At the Other End of the Line” |
| Guardian, 21 November 1981, Valdemar Januszczac: “Works on Paper – Air Gallery” |
| Angela Flowers Exhibition Catalogue 1987, Mel Gooding |
| Art Review, August 1989, Mary-Rose Beaumont: “The Thatcher `Years” |
| Print Quarterly, March 1992, Michael Podro: “The Etchings of Jane Joseph” – catalogue raisonné of prints, 1971-1990 |
| Printmaking Today, May 1994, George Szirtes: “The Etchings of Jane Joseph” |
| Spectator, 15 November 1997, Andrew Lambirth: “Shades of grey and urban life” |
| Morley Gallery Exhibition Catalogue 1997, David Cohen |
| Jewish Chronicle, 14 November 1997, Julia Weiner: “Shadowlands” |
| Jewish Chronicle,16 June 2000, Julia Weiner: “Etched on the Memory” |
| Royal Academy Magazine, Autumn 2000, Andrew Lambirth in “Private View” |
| Jewish Quarterly, Autumn 2001, Anthony Rudolf: “Commemorative Encounters” |
| Printmaking Today, Winter 2002, Emma Hill: “Nineteen Etchings for Primo Levi” |
| Financial Times, 2/3 November 2002, William Packer: “A time to take notice” |
| Jewish Chronicle,18 January 2008, Julia Weiner: “A rare view of common plants” |
| “Beckmann Variations & other poems” 2010, Michael Heller: “Within the Open Landscapes” |
| Eagle Gallery exhibition catalogue, “Common Grounds”, July 2013, Frances Spalding |
| Print Quarterly, December 2013, “Jane Joseph’s Etchings for Primo Levi”, Paul Griffiths |